Não tem muito tempo que tive o meu primeiro contato com a banda espanhola de rock psicodélico, Magick Brother and Mystic Sister. Me encantei de forma praticamente instantânea pelo seu disco de estreia de 2020 e que leva o nome homônimo a banda, já ficando ansioso pelo próximo passo do grupo. Como eu não os conheci na época, mas sim, recentemente, esperei pouco, pois em março de 2024 elas lançaram, Tarot, Part I, sua segunda oferta. E para a felicidade dos que gostaram do disco anterior, a banda acertou em cheio novamente.
Tarot, Part I revela novamente a habilidade do grupo de navegar de forma clara e coesa por uma variedade de terrenos musicais. Em seu novo álbum, a banda demonstra uma destreza notável ao incorporar elementos do rock, folk e música experimental dentro do seu som viajado. Essa fusão de estilos é realizada com bastante precisão e criatividade, resultando em uma sonoridade ao mesmo tempo envolvente e intrigante, repleta de atmosferas oníricas e viagens sonoras que capturam a imaginação do ouvinte.
Vale destacar também a continuidade de uma abordagem nostálgica que já havia sido uma das principais características em seu debut. Eles conseguem trazer à tona a essência lisérgica das décadas de 60 e 70, porém, não se limitando a simplesmente replicar o passado, afinal, eles infundem essas influências vintage com uma abordagem moderna de forma singular, criando uma ponte entre o passado e o presente.
A musicalidade encontrada em Tarot, Part I é portanto uma miscelânea de sonoridades multifacetadas. As melodias são construídas de forma hábil e criativa, os trabalhos de guitarra são ácidos e psicodélicos, a seção rítmica soa como um verdadeiro coração que pulsa com firmeza em cada música, enquanto piano, sintetizadores, mellotron e flautas também ajudam de forma brilhante nessa tapeçaria musical hipnotizante, além de serem os principais responsáveis pelo resultado de alguns arranjos complexos e experimentais.
"The Fool" é a faixa de abertura, um começo de disco muito caloroso e convidativo, onde é fácil perceber alguns acenos à bandas como Alan Parsons Project, principalmente nas texturas sonoras e nas camadas de instrumentação, e The Pretty Things em relação ao seu ar psicodélico. No início do disco a banda já demonstra toda a sua capacidade em tecer influências diversas, mas criando uma tapeçaria musical que é ao mesmo tempo familiar e nova.
"The Magician" inicia com uma atmosfera espacial, onde uma voz masculina emerge sobre os sons etéreos. A combinação de piano, bateria e baixo cria uma base sólida que guia a faixa para territórios mais psicodélicos até silenciar em uma harmonia atmosférica com teclas viajantes e toques sutis de guitarra. "The High Priestess" destaca-se principalmente pelos vocais femininos, que evocam facilmente vozes icônicas que lideraram bandas dos anos 60 e 70, como, por exemplo, Steeleye Span ou Jefferson Airplane.
"The Empress" traz novamente vocais femininos hipnotizantes. Esses vocais envolventes combinados com uma paleta instrumental belíssima, criam uma atmosfera única que poderia ser descrita como uma fusão de folk rock e elementos espaciais. "The Emperor" é um bom exemplo de como a banda consegue integrar suas influências clássicas com uma abordagem moderna e experimental dentro de uma psicodelia multiforme. "The Hierophant" começa com deliciosas notas de sitar, que imediatamente evocam uma sensação de exotismo e mistério que estará presente durante toda a faixa. Possui uma sonoridade ácida e ardente que se desdobra de maneira hipnotizante.
"The Lover" possui um começo atmosférico e onírico, onde o Mellotron e os teclados se combinam para criar uma paisagem sonora sublime. Os belíssimos vocais femininos estão de volta, adicionando uma forte camada de expressão e emoção. É uma música fortemente influenciada pela música indiana. "The Chariot" tem um dos pontos alto da seção rítmica, bateria e baixo trabalham em perfeita harmonia para fornecer um som cheio de groove, enquanto uma das guitarras com wah wah e o órgão se revezam em solos simples, mas extremamente apropriados.
"The Justice" começa por meio de uma ótima linha melódica de baixo. Aqui é mais um claro exemplo de como a banda consegue criar uma sonoridade acessível e ao mesmo tempo rica artisticamente. Uma espécie de pop jazz com arranjos sofisticados que fazem dessa um dos destaques do disco. "The Hermit" é uma música instrumental que poderia facilmente aparecer em qualquer um dos discos mais recentes de Steve Hackett. Uma peça mística que captura a essência de Hackett, enquanto adiciona a própria da banda. A peça é uma boa amostra de como eles conseguem combinar influências clássicas com suas próprias inovações. "The Wheel of Fortune" é a música que encerra o disco. Possui vocais imaginativos e etéreos que lembram um pouco aos de Donovan, enquanto isso, a música desliza por meio de uma valsa pop psicodélica que transmite uma sensação de nostalgia dos anos 60.
Quando penso em um disco de música psicodélica ou space rock, logo me vem à mente a ideia de uma jornada sensorial e emocional que transcende os limites da realidade. Para mim, um álbum desse gênero é bem-sucedido quando tem a capacidade de transportar o ouvinte para um estado de contemplação e imersão total, conseguindo colocá-lo em uma situação que faz parecer que estará diante de uma trilha sonora para vivenciar outro plano de existência. Tarot, Part I, é exatamente isso, cada faixa tem o poder de fazer o ouvinte perder a noção do tempo e do espaço, envolvendo-o em uma experiência sonora hipnótica. Desde as texturas vibrantes até as melodias envolventes e as atmosferas etéreas, cada elemento é responsável por trazer uma viagem musical psicodélica única. Baseado no que foi ofertado na parte I, já estou desde hoje ansioso pela parte II de Tarot.
================================It hasn't been long since I first came across the Spanish psychedelic rock band, Magick Brother and Mystic Sister. I was instantly captivated by their 2020 self-titled debut album, eagerly anticipating the group's next move. Although I didn't discover them at the time, but rather recently, I didn't have to wait long, as in March 2024, they released Tarot, Part I, their second offering. And to the delight of those who enjoyed the previous album, the band has hit the mark once again.
Tarot, Part I once again reveals the group's ability to navigate a variety of musical landscapes with clarity and cohesion. In their new album, the band demonstrates remarkable skill in incorporating elements of rock, folk, and experimental music within their trippy sound. This fusion of styles is executed with precision and creativity, resulting in a sound that is both engaging and intriguing, filled with dreamy atmospheres and sonic journeys that capture the listener's imagination.
It’s also worth noting the continuity of a nostalgic approach that was already one of the main characteristics of their debut. They manage to evoke the lysergic essence of the 60s and 70s, without merely replicating the past. Instead, they infuse these vintage influences with a modern approach in a singular way, creating a bridge between the past and the present.
The musicianship found in Tarot, Part I is, therefore, a mélange of multifaceted sounds. The melodies are skillfully and creatively constructed, the guitar work is acidic and psychedelic, the rhythm section pulses firmly like a heartbeat in every song, while piano, synthesizers, Mellotron, and flutes brilliantly contribute to this hypnotic musical tapestry, also being the main elements responsible for some of the more complex and experimental arrangements.
"The Fool" is the opening track, a warm and inviting start to the album, where nods to bands like Alan Parsons Project are easy to perceive, especially in the sonic textures and layers of instrumentation, and The Pretty Things in its psychedelic air. Right at the beginning of the album, the band showcases their ability to weave diverse influences, creating a musical tapestry that is both familiar and new.
"The Magician" begins with a spacey atmosphere, where a male voice emerges over ethereal sounds. The combination of piano, drums, and bass creates a solid foundation that guides the track into more psychedelic territories until it quiets down into an atmospheric harmony with trippy keys and subtle touches of guitar. "The High Priestess" stands out mainly due to the female vocals, which easily evoke iconic voices that led bands in the 60s and 70s, such as Steeleye Span or Jefferson Airplane.
"The Empress" once again features mesmerizing female vocals. These captivating vocals, combined with a beautiful instrumental palette, create a unique atmosphere that could be described as a fusion of folk rock and spacey elements. "The Emperor" is a good example of how the band manages to integrate their classic influences with a modern and experimental approach within a multifaceted psychedelia. "The Hierophant" begins with delightful sitar notes, immediately evoking a sense of exoticism and mystery that will be present throughout the track. It has an acidic and burning sound that unfolds hypnotically.
"The Lover" has an atmospheric and dreamy beginning, where Mellotron and keyboards combine to create a sublime soundscape. The beautiful female vocals return, adding a strong layer of expression and emotion. The song is heavily influenced by Indian music. "The Chariot" has one of the high points of the rhythm section, with drums and bass working in perfect harmony to provide a groovy sound, while one of the guitars with wah-wah and the organ take turns in simple but extremely fitting solos.
"The Justice" begins with a great melodic bass line. Here is another clear example of how the band can create a sound that is both accessible and artistically rich. A kind of pop-jazz with sophisticated arrangements that makes this one of the highlights of the album. "The Hermit" is an instrumental track that could easily appear on any of Steve Hackett's recent albums. A mystical piece that captures Hackett's essence while adding the band's own. The piece is a good showcase of how they can combine classic influences with their innovations. "The Wheel of Fortune" is the track that closes the album. It features imaginative and ethereal vocals that somewhat resemble those of Donovan, while the music glides through a psychedelic pop waltz that conveys a sense of 60s nostalgia.
When I think of a psychedelic or space rock album, the idea that comes to mind is that of a sensory and emotional journey that transcends the boundaries of reality. For me, an album in this genre is successful when it can transport the listener to a state of contemplation and total immersion, making them feel as if they are experiencing a soundtrack for another plane of existence. Tarot, Part I is exactly that—each track has the power to make the listener lose track of time and space, enveloping them in a hypnotic sonic experience. From the vibrant textures to the captivating melodies and ethereal atmospheres, each element is responsible for bringing a unique psychedelic musical journey. Based on what was offered in Part I, I’m already eagerly awaiting Tarot, Part II.
NOTA: 9.5/10
Tracks
Listing:
1.
The Fool (5:39)
2. The Wizard (3:05)
3. The High Priestess (3:38)
4. The Empress (3:42)
5. The Emperor (2:52)
6. The Hierophant (3:21)
7. The Lover (3:21)
8. The Chariot (3:06)
9. The Justice (4:56)
10. The Hermit (3:11)
11. The Wheel of Fortune (4:21)
Ouça, "The Fool"
It hasn't been long since I first came across the Spanish psychedelic rock band, Magick Brother and Mystic Sister. I was instantly captivated by their 2020 self-titled debut album, eagerly anticipating the group's next move. Although I didn't discover them at the time, but rather recently, I didn't have to wait long, as in March 2024, they released Tarot, Part I, their second offering. And to the delight of those who enjoyed the previous album, the band has hit the mark once again.
Tarot, Part I once again reveals the group's ability to navigate a variety of musical landscapes with clarity and cohesion. In their new album, the band demonstrates remarkable skill in incorporating elements of rock, folk, and experimental music within their trippy sound. This fusion of styles is executed with precision and creativity, resulting in a sound that is both engaging and intriguing, filled with dreamy atmospheres and sonic journeys that capture the listener's imagination.
It’s also worth noting the continuity of a nostalgic approach that was already one of the main characteristics of their debut. They manage to evoke the lysergic essence of the 60s and 70s, without merely replicating the past. Instead, they infuse these vintage influences with a modern approach in a singular way, creating a bridge between the past and the present.
The musicianship found in Tarot, Part I is, therefore, a mélange of multifaceted sounds. The melodies are skillfully and creatively constructed, the guitar work is acidic and psychedelic, the rhythm section pulses firmly like a heartbeat in every song, while piano, synthesizers, Mellotron, and flutes brilliantly contribute to this hypnotic musical tapestry, also being the main elements responsible for some of the more complex and experimental arrangements.
"The Fool" is the opening track, a warm and inviting start to the album, where nods to bands like Alan Parsons Project are easy to perceive, especially in the sonic textures and layers of instrumentation, and The Pretty Things in its psychedelic air. Right at the beginning of the album, the band showcases their ability to weave diverse influences, creating a musical tapestry that is both familiar and new.
"The Magician" begins with a spacey atmosphere, where a male voice emerges over ethereal sounds. The combination of piano, drums, and bass creates a solid foundation that guides the track into more psychedelic territories until it quiets down into an atmospheric harmony with trippy keys and subtle touches of guitar. "The High Priestess" stands out mainly due to the female vocals, which easily evoke iconic voices that led bands in the 60s and 70s, such as Steeleye Span or Jefferson Airplane.
"The Empress" once again features mesmerizing female vocals. These captivating vocals, combined with a beautiful instrumental palette, create a unique atmosphere that could be described as a fusion of folk rock and spacey elements. "The Emperor" is a good example of how the band manages to integrate their classic influences with a modern and experimental approach within a multifaceted psychedelia. "The Hierophant" begins with delightful sitar notes, immediately evoking a sense of exoticism and mystery that will be present throughout the track. It has an acidic and burning sound that unfolds hypnotically.
"The Lover" has an atmospheric and dreamy beginning, where Mellotron and keyboards combine to create a sublime soundscape. The beautiful female vocals return, adding a strong layer of expression and emotion. The song is heavily influenced by Indian music. "The Chariot" has one of the high points of the rhythm section, with drums and bass working in perfect harmony to provide a groovy sound, while one of the guitars with wah-wah and the organ take turns in simple but extremely fitting solos.
"The Justice" begins with a great melodic bass line. Here is another clear example of how the band can create a sound that is both accessible and artistically rich. A kind of pop-jazz with sophisticated arrangements that makes this one of the highlights of the album. "The Hermit" is an instrumental track that could easily appear on any of Steve Hackett's recent albums. A mystical piece that captures Hackett's essence while adding the band's own. The piece is a good showcase of how they can combine classic influences with their innovations. "The Wheel of Fortune" is the track that closes the album. It features imaginative and ethereal vocals that somewhat resemble those of Donovan, while the music glides through a psychedelic pop waltz that conveys a sense of 60s nostalgia.
When I think of a psychedelic or space rock album, the idea that comes to mind is that of a sensory and emotional journey that transcends the boundaries of reality. For me, an album in this genre is successful when it can transport the listener to a state of contemplation and total immersion, making them feel as if they are experiencing a soundtrack for another plane of existence. Tarot, Part I is exactly that—each track has the power to make the listener lose track of time and space, enveloping them in a hypnotic sonic experience. From the vibrant textures to the captivating melodies and ethereal atmospheres, each element is responsible for bringing a unique psychedelic musical journey. Based on what was offered in Part I, I’m already eagerly awaiting Tarot, Part II.
NOTA: 9.5/10
Tracks
Listing:
1.
The Fool (5:39)
2. The Wizard (3:05)
3. The High Priestess (3:38)
4. The Empress (3:42)
5. The Emperor (2:52)
6. The Hierophant (3:21)
7. The Lover (3:21)
8. The Chariot (3:06)
9. The Justice (4:56)
10. The Hermit (3:11)
11. The Wheel of Fortune (4:21)
Ouça, "The Fool"
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