IT é uma banda de rock progressivo liderada por Nick Jackson, e seu álbum We're All In This Together é um disco conceitual. Segundo Jackson, “as músicas exploram temas de austeridade, desigualdade e um futuro incerto para as gerações mais jovens”. O disco se destaca por suas composições que evoluem de melodias iniciais simples para harmonias refinadas, adornadas com bons vocais e backing vocals. Os teclados transitam entre atmosferas etéreas e densas, formando uma base sinfônica. Em vez de ser um disco direcionado aos admiradores por rock progressivo, a acessibilidade dos arranjos permite que o álbum alcance um público mais amplo. Quando a banda opta por alongar as faixas, o faz com ideias que realmente enriquecem o álbum, evitando a inclusão de passagens instrumentais desnecessárias que apenas preenchem espaço. Os solos de guitarra utilizam de timbres que remete a mestres como David Gilmour e Steve Hackett.
“Power” abre o álbum de maneira impactante, com um baixo potente e uma interpretação vocal dramática que expõe um quadro sombrio do estado atual do mundo. As letras carregadas de crítica social, combinadas com guitarras e teclados imersivos, criam uma atmosfera intensa e significativa. “Born into Debt” segue com uma abordagem mais melancólica, apresentando uma melodia lenta e introspectiva. A faixa é uma introdução eficaz para “Working Man”, um dos grandes destaques do álbum. Com um coro imponente, arranjos memoráveis e um solo de guitarra marcante, “Working Man” equilibra acessibilidade e riqueza musical.
“Last Chance” mantém a qualidade do álbum, com melodias emocionantes e versos acústicos. A faixa apresenta uma guitarra deslizando suavemente e um Mellotron que adiciona um toque nostálgico. Embora simples, a faixa é um exemplo de clareza e atratividade. “Gamble the Dream” apresenta um rock mais direto, com um baixo pulsante e riffs de guitarra enérgicos. A interpretação vocal de Jackson, carregada de raiva e ton sombrio, traz uma influência perceptível de Nine Inch Nails. A capacidade da banda de criar refrãos memoráveis é evidente nesta faixa.
“Voices” inicia com vocais sintetizados e teclados atmosféricos, revelando uma abordagem distinta que se desvia das influências de IQ e Arena. A melodia e os coros são cativantes, e a inclusão de um discurso crítico de George Galloway adiciona uma camada de crítica política relevante. “The Path of Least Resistance” é a faixa mais longa do álbum, com uma atmosfera influenciado por Pink Floyd. Guitarras brilhantes e uma voz sussurrante introduzem um momento teatral que evolui para uma rica tapeçaria musical. A faixa combina complexidade e acessibilidade, com um trabalho de guitarra que lembra Guthrie Govan e David Gilmour e uma influência perceptível de Porcupine Tree.
“House” é a faixa que mais se destaca como um possível single, com uma clara influência de Marillion da era Steve Hogarth. A faixa é marcada por um baixo forte e um coro cativante, com a guitarra oferecendo tanto trabalho rítmico quanto um solo expressivo. “Down the Hatch” começa com uma reminiscência de Pink Floyd, mas logo se transforma com uma melodia obscura e vocais quase robotizados. A faixa evolui para um riff marcante com graves profundos e vocais ásperos, evidenciando a identidade da banda.
“Revolution” encerra o álbum com um baixo trovejante e um tom ameaçador que remete ao Dream Theater. A música mistura riffs de guitarra com elementos de metal progressivo, enquanto o coro e o interlúdio mantêm uma abordagem mais convencional. É uma conclusão forte e adequada para o álbum.
Em resumo, We're All In This Together não se limita a ser um típico álbum de neo-progressivo. Apesar das influências evidentes de Arena, IQ e Marillion, IT estabelece uma identidade própria, especialmente na segunda metade do álbum. O resultado é uma sonoridade robusta, com boas letras e uma musicalidade bem elaborada, destacando vocais, riffs de guitarra e graves notáveis.
================================IT is a progressive rock band led by Nick Jackson, and their album We're All In This Together is a concept record. According to Jackson, “the songs explore themes of austerity, inequality, and an uncertain future for younger generations.” The album stands out for its compositions that evolve from simple initial melodies to refined harmonies, adorned with strong vocals and backing vocals. The keyboards traverse ethereal and dense atmospheres, forming a symphonic foundation. Rather than targeting fans of progressive rock exclusively, the album’s accessible arrangements allow it to reach a broader audience. When the band chooses to extend tracks, they do so with ideas that genuinely enhance the album, avoiding unnecessary instrumental passages that merely fill space. The guitar solos employ tones reminiscent of masters like David Gilmour and Steve Hackett.
“Power” opens the album with impact, featuring a powerful bass and a dramatic vocal performance that paints a bleak picture of the current state of the world. The socially critical lyrics, combined with immersive guitars and keyboards, create an intense and meaningful atmosphere. “Born into Debt” follows with a more melancholic approach, presenting a slow, introspective melody. This track serves as an effective introduction to “Working Man", one of the album’s standout tracks. With its imposing chorus, memorable arrangements, and striking guitar solo, “Working Man” balances accessibility and musical richness.
“Last Chance” maintains the album's quality, with emotive melodies and acoustic verses. The track features smoothly sliding guitar and a Mellotron that adds a nostalgic touch. Though simple, it is an example of clarity and appeal. “Gamble the Dream” presents a more straightforward rock approach, with a pulsating bass and energetic guitar riffs. Jackson’s vocal performance, filled with anger and a dark tone, shows a clear Nine Inch Nails influence. The band’s ability to create memorable choruses is evident in this track.
“Voices” begins with synthesized vocals and atmospheric keyboards, revealing a distinctive approach that diverges from IQ and Arena influences. The melody and choruses are engaging, and the inclusion of a critical speech by George Galloway adds a layer of relevant political critique. “The Path of Least Resistance” is the album’s longest track, with a Pink Floyd-inspired atmosphere. Brilliant guitars and a whispering voice introduce a theatrical moment that evolves into a rich musical tapestry. The track combines complexity and accessibility, with guitar work reminiscent of Guthrie Govan and David Gilmour, and a noticeable Porcupine Tree influence.
“House” stands out as the most likely single, with a clear influence from Marillion’s Steve Hogarth era. The track features a strong bass and a catchy chorus, with the guitar providing both rhythmic work and an expressive solo. “Down the Hatch” starts with a Pink Floyd-like feel but quickly transforms with a dark melody and almost robotic vocals. The track evolves into a memorable riff with deep bass and harsh vocals, showcasing the band’s identity.
“Revolution” closes the album with a thunderous bass and a menacing tone reminiscent of Dream Theater. The song mixes guitar riffs with progressive metal elements, while the chorus and interlude maintain a more conventional approach. It’s a strong and fitting conclusion to the album.
In summary, We're All In This Together is not just a typical neo-progressive album. Despite evident influences from Arena, IQ, and Marillion, IT establishes its own identity, especially in the latter half of the album. The result is a robust sound with well-crafted lyrics and musicality, highlighting notable vocals, guitar riffs, and deep bass.
NOTA: 7/10
Tracks
Listing:
1.
Power (5:30)
2. Born Into Debt (2:47)
3. The Working Man (4:13)
4. Last Chance (5:52)
5. Gamble The Dream (4:10)
6. Voices (5:22)
7. The Path Of Least Resistance (11:49)
8. House (5:39)
9. Down The Hatch (5:44)
10. Revolution (5:52)
Ouça, "Revolution"
IT is a progressive rock band led by Nick Jackson, and their album We're All In This Together is a concept record. According to Jackson, “the songs explore themes of austerity, inequality, and an uncertain future for younger generations.” The album stands out for its compositions that evolve from simple initial melodies to refined harmonies, adorned with strong vocals and backing vocals. The keyboards traverse ethereal and dense atmospheres, forming a symphonic foundation. Rather than targeting fans of progressive rock exclusively, the album’s accessible arrangements allow it to reach a broader audience. When the band chooses to extend tracks, they do so with ideas that genuinely enhance the album, avoiding unnecessary instrumental passages that merely fill space. The guitar solos employ tones reminiscent of masters like David Gilmour and Steve Hackett.
“Power” opens the album with impact, featuring a powerful bass and a dramatic vocal performance that paints a bleak picture of the current state of the world. The socially critical lyrics, combined with immersive guitars and keyboards, create an intense and meaningful atmosphere. “Born into Debt” follows with a more melancholic approach, presenting a slow, introspective melody. This track serves as an effective introduction to “Working Man", one of the album’s standout tracks. With its imposing chorus, memorable arrangements, and striking guitar solo, “Working Man” balances accessibility and musical richness.
“Last Chance” maintains the album's quality, with emotive melodies and acoustic verses. The track features smoothly sliding guitar and a Mellotron that adds a nostalgic touch. Though simple, it is an example of clarity and appeal. “Gamble the Dream” presents a more straightforward rock approach, with a pulsating bass and energetic guitar riffs. Jackson’s vocal performance, filled with anger and a dark tone, shows a clear Nine Inch Nails influence. The band’s ability to create memorable choruses is evident in this track.
“Voices” begins with synthesized vocals and atmospheric keyboards, revealing a distinctive approach that diverges from IQ and Arena influences. The melody and choruses are engaging, and the inclusion of a critical speech by George Galloway adds a layer of relevant political critique. “The Path of Least Resistance” is the album’s longest track, with a Pink Floyd-inspired atmosphere. Brilliant guitars and a whispering voice introduce a theatrical moment that evolves into a rich musical tapestry. The track combines complexity and accessibility, with guitar work reminiscent of Guthrie Govan and David Gilmour, and a noticeable Porcupine Tree influence.
“House” stands out as the most likely single, with a clear influence from Marillion’s Steve Hogarth era. The track features a strong bass and a catchy chorus, with the guitar providing both rhythmic work and an expressive solo. “Down the Hatch” starts with a Pink Floyd-like feel but quickly transforms with a dark melody and almost robotic vocals. The track evolves into a memorable riff with deep bass and harsh vocals, showcasing the band’s identity.
“Revolution” closes the album with a thunderous bass and a menacing tone reminiscent of Dream Theater. The song mixes guitar riffs with progressive metal elements, while the chorus and interlude maintain a more conventional approach. It’s a strong and fitting conclusion to the album.
In summary, We're All In This Together is not just a typical neo-progressive album. Despite evident influences from Arena, IQ, and Marillion, IT establishes its own identity, especially in the latter half of the album. The result is a robust sound with well-crafted lyrics and musicality, highlighting notable vocals, guitar riffs, and deep bass.
NOTA: 7/10
Tracks
Listing:
1.
Power (5:30)
2. Born Into Debt (2:47)
3. The Working Man (4:13)
4. Last Chance (5:52)
5. Gamble The Dream (4:10)
6. Voices (5:22)
7. The Path Of Least Resistance (11:49)
8. House (5:39)
9. Down The Hatch (5:44)
10. Revolution (5:52)
Ouça, "Revolution"
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